Pomerania 1471

 

In 1471, eleven towns of the Duchy of Pomerania renewed their alliance, pledging to send soldiers to each other in need.

There were wars in Pomerania in the coming years, but we don't know if the soldiers of the promised alliance ever took arms.

Turm 2024: Grateful Dead

 

Last summer I joined the second Turm event held in Zagreb at UMS "Agram" by Ana Polanšćak of Gardens of Hecate fame. We were playing Forbidden Psalm, and my warband was the pious knight Sievert and the Grateful Dead.

The idea for my miniatures came to me when I was looking for references for 15th century Duchy of Pomerania at a local library and I found a history article about this painting from Kołobrzeg cathedral:

 (source: Wikipedia)

The painting, which is an epitaph of one Siewert Granzin from 1492, shows a knight praying for the dead, and the dead raising from their graves to defend him from his pursuers. It has become an instant favourite of mine -- the dead look so happy! And the Noble Necromancer was an idea I've really liked at least since I read the Lord of the Rings chapter with Aragorn leading the army of the dead.

Forbidden Psalm is based on the Mork Börg roleplaying game, and the RPG book uses a lot of moody old Public Domain art. So I thought using a painting reference for my warband would be a good match.

So here they are, the pious knight Sievert (name changed for the ease of pronunciation) and his dead retinue, wandering around the accursed graveyard-city of Graven-Tosk (or maybe the accursed Kołobrzeg):

The dead were hand-sculpted from scratch. I made three torsos and four heads, then cast them using Oyumaru and Milliput + Green Stuff mix. Hands and weapons were sculpted individually. The knight was a mixture of Perry Foot Knights and Perry Mercenaries parts, with a scratch-built bevor and sword sheath.

The banner was made following an old Massive Voodoo tutorial by David (here), butchered with a few shortcuts to save time. It was cut from graph paper, and when you look at it against a strong source of light, you see graph paper lines underneath the painting. I regret nothing.

Since I had several skulls to spare -- that's a very nice bonus you get for casting your own minis -- I made a few handy skull tokens to represent treasure, spell effects, objectives, and the like.

 

The minis were painted over a few days before the event in Zagreb, using borrowed Scale 75 paints (which take a while to get used to, but make for a lovely matt finish) and a Mig Ammo silver metallic, which turned out to be surprisingly great.

And here's a picture from the event. Terrain and photography by Ana Polanšćak:

 

 

the girl and the pilgrim (sculpts)

 

 

Yesterday I finished my most involved sculpting project yet.

Woods

Late last year, I followed Ana Polanšćak's TUTORIAL on making trees and made a small forest.

 

 

The base is MDF with cork board and hot glue here and there on the top, with the bottom painted, PVA-covered and stretched to fix the warping. Grass is mostly MIG. Trees (real branches glued together, with sculpted fungi here and there; somewhat fragile) were basecoated with sprays, then painted using a primary school-grade brush with Renesans Flow art acrylics with a wonderful matt finish, plus some other paints I had around, with a photo reference of real tree trunks.

The varnish is a matt spray from the Action store, which hopefully preserved the paintjob while making the finish somehow less matt. That's exactly what a Citadel varnish would do, but five times cheaper.

 

 

I learned to sculpt faces today

 

(Coming back from hiatus? I'm on social media now. www.instagram.com/bwdeathworld, bwdeathworld.bsky.social. Facebook too.)

Hive Fleet Celaeno

 

Celaeno, 

a minor hive fleet active in a cluster of dim stars, 

emerging from dark waters in the half-light of day, 

twisting and coiling in frail gravity.

 

 

...a perfect biological laboratory...

 ...a unique set of forces converge here... 

...creating a major biological alliance...

...any waste is recycled...

...the tentacles draw the victim into the central mouth...

 ...as they evolve, each new branch represents a new species, diverging and growing evermore separate from its ancestors...

...can create colonies by cloning exact replicas of themselves...

...their strategy is mass production...

...millions of eggs, so that enough survive to drift across...

 ...the predators gorge themselves, but the mass-spawners will succeed...

...a clean slate never stays clean for long...

...can spawn all year round, because there are no seasons...

 

...its maze-like structure... a three-dimensional puzzle...

...but mass spawning creates plenty of chances to create hybrids...

...a hybrid makes an unusual addition to the family tree...

...whenever species interbreed, the branches reconnect...

...hiding away, they can feed and grow safe from predators...

...much about this relationship remains a mystery...

(the army is complete, at last)

(quotes from an old Terran preacher)

 

Hive Fleet Celaeno painting recipe

 

Assembly:
- I clean mould lines pretty thoroughly and aggressively.
- I glue the models with plastic cement (Revell Contacta) or with plastic cement mixed with mould line / sprue shavings.
- Where gaps would be visible and undesirable, I use a lot of glue and after it dries, I shave off the excess plastic goo (where this is not possible, I fill the gaps with Green Stuff and / or Milliput).
- I drill gun barrels, 1 mm drill bit for (heavy) venom cannons, 2 mm drill for fleshborers, even larger one for deathspitters.
- After basing (see below), I wash minis in water + dish soap using a toothbrush.

Basing:
- I make Oyumaru moulds of some stones and create larger rocks from Milliput.
- I make smaller pebbles from Milliput.
- I glue big rocks to bases with superglue.
- For places where I want to have water, I use sand paper (500 grit, then 1000 grit) to smoothen the base surface.
- I cover bases with superglue, and sprinkle them with small pebbles and sand / baking soda mix.

Painting
Paints needed:
Sprays: white with a smooth finish (Citadel White Scar), matt / satin varnish (Citadel Munitorum Varnish).
Acrylics: black (VMC Black, Scale75 Black), white (VMC White), warm off-white (VMC Pale Sand), dark red (VMC Dark Red), turquoise (VMC Turquoise), warm bright red (VMC Scarlet Red); sporadically: olive green (VMC Middlestone), brownish orange (Secret Weapon Orange Rust), tan (VMC Dark Sand).
Washes: light sepia (AP Light Tone), red (AP Red Tone), blue (AP Blue Tone).
Finish: gloss varnish (AP Gloss Varnish), matt varnish (AP Matt Varnish), blood effect (Citadel Blood for the Blood God).

No airbrush. Unless noted otherwise, every step is just 1 coat of paint. Unless noted otherwise, I use my paints with relatively thick "layer consistency" / "basecoat consistency".

I apply washes to the whole area (not just recesses). I use several washes at the same time. I don't mix them on the palette, but let them flow into each other on the mini.

Preparation:
- I undercoat with Citadel White Scar spray (pretty heavily, so that even recesses are white).
- I basecoat the bases with warm dark grey (VMC Black + VMC Dark Sand), watery consistency (almost like a wash).
- I drybrush the bases with brighter grey (VMC Black + VMC Pale Sand).
- I drybrush the bases here and there with VMC Pale Sand.
- I toothbrush splatter diluted pale grey (VMC white + VMC black) and VMC Pale Sand (in any order, pretty heavily).

Reds, except vents:
- I basecoat with purplish / brownish colour (VMC Dark Red + VMC turquoise, somewhat watery layer consistency. I can try mixing wet on wet on miniature to get more bluish shadows and more reddish highlights).
For later highlights, I use layering (stippling motions or feathering where necessary) or drybrushing:
- I highlight everything except the recesses with VMC Dark Red.
- when I need to blend red into white, I drybrush the border area with VMC Dark Red + VMC Pale Sand.
- I highlight with VMC Scarlet.
- (optional) I wash with AP Red Tone and AP Blue Tone (at the same time).
- (optional) I highlight with VMC Scarlet again.
- I spot highlight / edge highlight with peach colour (VMC Scarlet + VMC Pale Sand)

Whites, except teeth:
- I wash lightly, mostly with AP Light Tone + VMC Glaze Medium, here and there with AP Blue Tone + VMC Glaze Medium and AP Red Tone + VMC Glaze Medium (all washes at the same time, letting them mix on the mini).
- I wash vents with AP Red tone (while doing so, I can also fix any areas that didn't get the wash by mistake in the previous step).
- I glaze highlight with VMC White + water. This takes several layers and maybe some feathering, depending on my patience. Brightest spots and edges can be painted with layering-consistency white.
- weathering: I stipple very subtly, here and there, VMC Black.

Bases:
- I stipple very subtly, here and there, brownish orange (Secret Weapon Orange Rust).
- I stipple very subtly, here and there, olive green (VMC Middlestone).
- I paint water using loaded brush (diluted paint, VMC Middlestone + VMC Turquoise + VMC Black, flow marks are a feature, not a bug).
- I paint base rims black.

Claws:
- I stipple or drybrush VMC Black (over white, at any moment after white was washed).
- I edge highlight VMC Black + VMC Pale Sand.
- (optional) I paint the second edge highlight with a brighter mix of VMC Black + VMC Pale Sand.

 

Eyes:
- I paint them with VMC black (after the surrounding area was painted and washed; don't paint the edges of the eye).
- I add a single spot of white paint.

Teeth:
(after the mouth was painted and washed:)
- I paint each tooth separately with VMC Pale Sand.
- I highlight with VMC White (or just paint them with one coat of white and forget Pale Sand).

Finish:
- I lightly spray with Citadel Munitorum Varnish; wait for it to dry.
- I paint eyes and select fleshy parts with VMC Gloss Varnish (don't paint the edges of the eye).
- I use 2-3 coats of VMC Gloss Varnish on water on the bases.
- (optional) I add one more layer of white or black to the tips of horns, spikes, etc. to avoid paint damage, and then cover them with VMC Matt Varnish.
- I use Citadel Blood for the Blood God in the recesses around the spine and inside the chimney vents.

ten thousand years

 

Longevity feels exciting at first, but you get used to it after a millenium or two, tops.

Closing the gap, ever

So far towards the horizon, we don't meet people. Only monsters fighting monsters fighting monsters.

Strange physiques. Picking a side is an exercise in creativity, nothing more.

Perched high upon my steed, I survey another battlefield.

 

Will we get to the end, ever? Or will we succumb to our ailments?  

(flutter of wings)

~~~

(warcry is fun)

(bone obelisk by wilhelminiatures)

The Igumen

We revere humanity. Serenity is human; enlightenment is human; and fury, as well, is equally human.

- igumen Anfortas

There are statues on the shore

There are statues on the shore and they have been there longer than we can remember. But every year there is a morning when you realize a statue is slightly different than yesterday: different reliefs on the sculpted armour, a subtle difference in pose, perhaps even a slight change in size. There has been a change of the guard.